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As she thought how dear and kind Moses had been to her, bringing this wonderful plant and the shell purse, not forgetting the peppermint bulls’ eyes, she went to sleep with the conviction that she must be the happiest girl in the world.,

Fate led the trio to the theatre where Mr. Zalhambra was playing. Howard took his friends to a box and no sooner were they seated than he espied Nell and Betty.,

On the wall hung a gilt-framed portrait, which rumor said represented Ebenezer Wopp, a wreath of carefully made wax flowers, a silver coffin-plate framed and bearing the name and date of demise of Mr. Wopp’s mother, and two or three colored chromos.,

Was there to be another murder? Ought he to call? If he did wouldn’t they turn on him—kill him? No matter. Some one might be on the road and hear. And he could run pretty fast. Anyway he must risk it.

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The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat.,

Her breakfast finished, Betty sought the company of Moses, who was in a small shed adjoining the kitchen. He was piling some fire-wood he had carried in from the yard.,

Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother.,

Before school was dismissed Mannel Rodd, after earnest solicitation on the part of an older sister, was induced to mount the platform, where he shyly and with every evidence of stage fright recited,